New Books in History

Although much has been written about the anti-abortion movement in the United States, Jennifer Holland (Assistant Professor of U.S. History, University of Oklahoma) has written the first monograph-length history of the pro-life campaign for American hearts and minds. In her book Tiny You: A Western History of the Anti-Abortion Movement (University of California Press, 2020), Holland explores the development of the movement from the legalization of Roe v. Wade in 1973 to the present with a focus on its cultural, social, political, and religious dynamics particularly in the American West, based in part on 28 oral histories collected from its activists and leaders. In this interview, we discuss the evolution of the movement’s rhetoric and tactics, including the manipulation of histories of oppression including slavery and the Holocaust to further anti-abortion campaigns, the cooption of concepts like morality and ethics, the uses of fetal imagery in protests and promotional materials, the achievement of legislative successes including the limitations placed on abortion access since the Bush years, and the personal as political (and vice versa). Ultimately, Holland argues that anti-abortion activists have won the American culture war, and now likely stand poised for ultimate victory in the coming years.

Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI.

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Many Americans are familiar with the real, but repeatedly stereotyped problem of alcohol abuse in Indian country. Most know about the Prohibition Era and reformers who promoted passage of the Eighteenth Amendment, among them the members of the Woman’s Christian Temperance Union (WCTU). But few people are aware of how American Indian women joined forces with the WCTU to press for positive change in their communities, a critical chapter of American cultural history explored in depth for the first time in his book In League Against King Alcohol: Native American Women and the Woman's Christian Temperance Union, 1874–1933 (University of Oklahoma Press, 2020)

Drawing on the WCTU’s national records as well as state and regional organizational newspaper accounts and official state histories, historian Thomas John Lappas unearths the story of the Woman’s Christian Temperance Union in Indian country. Lappas' work reveals how Native American women in the organization embraced a type of social, economic, and political progress that their white counterparts supported and recognized—while maintaining distinctly Native elements of sovereignty, self-determination, and cultural preservation. They asserted their identities as Indigenous women, albeit as Christian and progressive Indigenous women. At the same time, through their mutual participation, white WCTU members formed conceptions about Native people that they subsequently brought to bear on state and local Indian policy pertaining to alcohol, but also on education, citizenship, voting rights, and land use and ownership.

Lappas’s book places Native women at the center of the temperance story, showing how they used a women’s national reform organization to move their own goals and objectives forward. Subtly but significantly, they altered the welfare and status of American Indian communities in the early twentieth century.

David Dry is a PhD student in the Department of History at the University of North Carolina at Chapel Hill.

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In the early 19th century, on the floodplain of the Niger river’s inland delta in West Africa (present-day Mali), the Caliphate of Ḥamdallāhi emerged. The new State, locally known as the Maasina Diina, sought to consolidate its dominance over Fulani, Bamanan, and Arma military and political elites, as well as Jenne and Timbuktu’s scholarly establishment. It also attempted to reach a balance of power with neighboring Sokoto. The arsenal of tools the Caliphate deployed to achieve these goals included war, economic expansion, diplomacy, and the crafting of a historical chronicle known as the Tārīkh al-Fattāsh.

In two separate strands of historiography, scholars have tackled the genesis and literary construction of the chronicle on the one hand, and the history of the Caliphate on the other. The new book Sultan, Caliph, and the Renewer of the Faith: Ahmad Lobbo, the Tārīkh al-fattāsh and the Making of an Islamic State in West Africa (Cambridge University Press, 2020), brings both together. Mauro Nobili argues that the Tārīkh al-Fattāsh was a coherent and historically contingent product of the Caliphate. It was designed as a result of one Ḥamdallāhi scholar’s assessment of what it would take to legitimize claims to power and authority in the hotly contested political landscape of 19th-century Muslim West Africa.

Madina Thiam is a PhD candidate in History at UCLA.

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In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia.

Sharika Crawford is an associate professor of history at the United States Naval Academy. 

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In the early 19th century, on the floodplain of the Niger river’s inland delta in West Africa (present-day Mali), the Caliphate of Ḥamdallāhi emerged. The new State, locally known as the Maasina Diina, sought to consolidate its dominance over Fulani, Bamanan, and Arma military and political elites, as well as Jenne and Timbuktu’s scholarly establishment. It also attempted to reach a balance of power with neighboring Sokoto. The arsenal of tools the Caliphate deployed to achieve these goals included war, economic expansion, diplomacy, and the crafting of a historical chronicle known as the Tārīkh al-Fattāsh.

In two separate strands of historiography, scholars have tackled the genesis and literary construction of the chronicle on the one hand, and the history of the Caliphate on the other. The new book Sultan, Caliph, and the Renewer of the Faith: Ahmad Lobbo, the Tārīkh al-fattāsh and the Making of an Islamic State in West Africa (Cambridge University Press, 2020), brings both together. Mauro Nobili argues that the Tārīkh al-Fattāsh was a coherent and historically contingent product of the Caliphate. It was designed as a result of one Ḥamdallāhi scholar’s assessment of what it would take to legitimize claims to power and authority in the hotly contested political landscape of 19th-century Muslim West Africa.

Madina Thiam is a PhD candidate in History at UCLA.

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In The Politics of Taste: Beatriz González and Cold War Aesthetics (Duke University Press, 2019), Ana María Reyes examines the ways Colombian artist Beatriz González and Argentine-born art critic Marta Traba railed against international forms of modernism and promoted low brow or even provincial forms of art in the period of the Colombian National Front’s coalition government (1958-1974). In doing so, Reyes situates art in a pivotal moment in Colombian history where efforts to end political violence through compromise and power-sharing also led to the ushering of modernizing projects promoted initially under President Alberto Lleras Camargo. Reyes shows that art became under the purview of elites seeking to project Colombia as a modern, internationalist nation. González, on the other hand, increasingly questioned and challenged elite efforts to present modernism as the epitome of high art and culture in Colombia. In doing so, Reyes wholeheartedly adopted her role as a provocateur as a way to resist U.S. cultural interference and to preserve the marginal voices so often derided by urban elites in Bogotá. Through an examination of art, Reyes offers a refreshing perspective on the ways taste became politicized in mid-twentieth century Colombia.

Sharika Crawford is an associate professor of history at the United States Naval Academy. 

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Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself: Blackness and the End of Man (Harvard University Press, 2020) delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure―the rat, the cock, the mule, the dog, and the shark―in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people―all are sites made unforgettable by literature in which we find black and animal life in fraught proximity.

Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.

Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.

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The modern popularity of acupuncture and herbal medicine belies the long history of Chinese medicine in the U.S. In Herbs and Roots: A History of Chinese Doctors in the American Medical Marketplace (Yale University Press, 2019), Tamara Venit-Shelton (Claremont McKenna College) examines the historical contexts that shaped perceptions of traditional Chinese medicine from the colonial period to the present. Venit-Shelton draws from court records, material culture, census records, oral interviews, and newspapers to uncover the multi-faceted roles that Chinese herbalists played in both Chinese and non-Chinese communities during the “long Progressive Era.”

Through self-Orientalizing presentations, these health practitioners enterprisingly navigated, accommodated, and resisted waves of rising xenophobia and medical regulation. After a period of struggle between the 1930s and 1970s when depression and war disrupted supply chains, Chinese medicine made a roaring comeback even as increasing numbers of Chinese Americans trained in Western medicine, leading to the rise of integrative medicine. Herbs and Roots deepens our understanding of histories of medicine and public health, American Orientalism, Asian immigration to the US, and the environment and ideas of nature.

Ian Shin is assistant professor of History and American Culture at the University of Michigan.

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Screening Reality: How Documentary Filmmakers Reimagined America (Bloomsbury, 2020) is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans.

In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.

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On this episode of the New Books Network, Lee Pierce (s/t) interviews Jay Timothy Dolmage of the University of Waterloo on the new book Disabled Upon Arrival: Eugenics, Immigration, and the Construction of Race and Disability (Ohio State University Press, 2018), a compelling examination of the spaces, technologies, and discourses of immigration restriction during the peak period of North American immigration in the early twentieth century.

In North America, immigration has never been about immigration. That was true in the early twentieth century when anti-immigrant rhetoric led to draconian crackdowns on the movement of bodies, and it is true today as new measures seek to construct migrants as dangerous and undesirable.

Through careful archival research and consideration of the larger ideologies of racialization and xenophobia, Disabled Upon Arrival links anti-immigration rhetoric to eugenics—the flawed “science” of controlling human population based on racist and ableist ideas about bodily values. Dolmage casts an enlightening perspective on immigration restriction, showing how eugenic ideas about the value of bodies have never really gone away and revealed how such ideas and attitudes continue to cast groups and individuals as disabled upon arrival.

Thanks to OSU Press for providing disabled Upon Arrival for free through the OSU Knowledge Bank (may require in Institutional subscription). Click here to access a PDF of disabled upon arrival. You can also find an open access version of Jay’s previous book, Academic Ableism, courtesy of the University of Waterloo Arts Research Office. Click here to access Academic Ableism. Connect with Jay on Twitter @jaydolmage Connect with your host,

Lee Pierce, on Twitter, Instagram, and Facebook @rhetoriclee for interview previews, the best book selfies, and new episode alerts.

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