New Books in History

Professors Melissa Walker of Converse College and Giselle Roberts of Australia’s La Trobe University, editors of the Women’s Diaries and Letters of the South series, discuss the field of documentary editing and how the personal writings of southern women reveal the broader history of life in the U.S. South during the nineteenth and twentieth centuries.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

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In the mid-nineteenth century, the Chorographic Commission of Colombia, an ambitious geographical expedition, set out to define and map a nascent and still unstable republic. The commission’s purpose was to survey the land, its resources and people, and portray Colombia as a nation prone to the “wonders” of modernization.

In Mapping the Country of Regions: The Chorographic Commission of Nineteenth-Century Colombia (University of North Carolina Press, 2016), Nancy P. Appelbaum reconstructs how elites, through visual and textual methodologies, envisioned the nation and its component parts. In particular, the books focuses on a dilemma that has characterized modern nation formation in Latin America and the world: how is it possible to build and represent a unified nation while simultaneously showcasing regional diversity and particularity? In the case of Colombia, how did Commissioners solved the tension between aspirational homogeneity and the regional heterogeneity found on the ground? As this fascinating interview tells us, racial and gendered stereotypes were used to solve this paradox. Unsuccessful in their quest for unity, the commissioners represented the highland regions as white and civilized, while the lowlands were allegedly black, backward, and savage. This in turn created a dichotomy that still haunts the way in which we, Colombians, understand our country today.

Lisette Varón-Carvajal is a PhD student at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron.

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Who or what originated and/or caused the Great War from breaking out in July 1914? Was it Serbia with its expansionist and aggressive designs on Austria-Hungary? Was it Austria-Hungary itself, unnecessarily plunging itself and the rest of Europe in a futile effort to keep together its tottering Monarchy? Was it Tsarist Russia? Attempting to both expand its influence in the Balkans at the expense of both Austria and Germany and at the very same time, seeking to bolster its own tottering monarchy by showing its aggrieved public that Mother Russia was backing the cause of its down-trodden, Slavic brothers. Was it Kaiserreich Germany? Aiming in the famous thesis of 20th-century German historian Fritz Fischer, to launch a Great War to establish itself as the hegemonic power on the European continent? A war which its military leaders stated repeatedly, Germany could only win if war occurred in the next few years. Was it France? Aiming in conjunction with its Russian ally to start a war with the aim of regaining the two lost provinces of Alsace-Lorraine. Was it Liberal England? Hoping for the final success of the policy of ‘encirclement’ of Germany, commenced by Edward VII?

The origins of the Great War is one of the most fascinating and enthralling subjects in modern History. Which oceans of ink, almost (but not quite) matching the oceans of blood spilled during the war itself, have been devoted to the subject. From the immediate outbreak of the war to the centenary anniversary in 2014, master historians have researched and written on it. Now to bring the topic to the audience of New Books Network, are Jeremy Black, Emeritus Professor of History at Exeter University, without a doubt, the most prolific historian writing in the Anglophone world and Charles Coutinho of the Royal Historical Society. Please listen to this most interesting of podcast.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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Paul J. Polgar is the author of Standard-Bearers of Equality: America’s First Abolition Movement, published by University of North Carolina Press in 2019. Standard-Bearers of Equality tells the story of a racially inclusive abolition movement which followed in the wake of the American Revolution. Seeking to uphold Revolutionary-era ideals, these “first movement abolitionists,” as Polgar refers to them, sought to end slavery and prove Black Americans deserved an equal place in the country. Polgar’s work reinterprets this time in American history, illustrating how some people worked tirelessly to create an equalitarian country.

Dr. Polgar is an Assistant Professor of History at the University of Mississippi.

Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.

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Paul J. Polgar is the author of Standard-Bearers of Equality: America’s First Abolition Movement, published by University of North Carolina Press in 2019. Standard-Bearers of Equality tells the story of a racially inclusive abolition movement which followed in the wake of the American Revolution. Seeking to uphold Revolutionary-era ideals, these “first movement abolitionists,” as Polgar refers to them, sought to end slavery and prove Black Americans deserved an equal place in the country. Polgar’s work reinterprets this time in American history, illustrating how some people worked tirelessly to create an equalitarian country.

Dr. Polgar is an Assistant Professor of History at the University of Mississippi.

Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.

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Who or what originated and/or caused the Great War from breaking out in July 1914? Was it Serbia with its expansionist and aggressive designs on Austria-Hungary? Was it Austria-Hungary itself, unnecessarily plunging itself and the rest of Europe in a futile effort to keep together its tottering Monarchy? Was it Tsarist Russia? Attempting to both expand its influence in the Balkans at the expense of both Austria and Germany and at the very same time, seeking to bolster its own tottering monarchy by showing its aggrieved public that Mother Russia was backing the cause of its down-trodden, Slavic brothers. Was it Kaiserreich Germany? Aiming in the famous thesis of 20th-century German historian Fritz Fischer, to launch a Great War to establish itself as the hegemonic power on the European continent? A war which its military leaders stated repeatedly, Germany could only win if war occurred in the next few years. Was it France? Aiming in conjunction with its Russian ally to start a war with the aim of regaining the two lost provinces of Alsace-Lorraine. Was it Liberal England? Hoping for the final success of the policy of ‘encirclement’ of Germany, commenced by Edward VII?

The origins of the Great War is one of the most fascinating and enthralling subjects in modern History. Which oceans of ink, almost (but not quite) matching the oceans of blood spilled during the war itself, have been devoted to the subject. From the immediate outbreak of the war to the centenary anniversary in 2014, master historians have researched and written on it. Now to bring the topic to the audience of New Books Network, are Jeremy Black, Emeritus Professor of History at Exeter University, without a doubt, the most prolific historian writing in the Anglophone world and Charles Coutinho of the Royal Historical Society. Please listen to this most interesting of podcast.

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded.

Focusing on four especially dramatic court cases, Voices of the Enslaved: Love, Labor, and Longing in French Louisiana (UNC Press, 2019) draws us into Louisiana’s courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators.

Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.

Sophie White is Associate Professor of American Studies and Concurrent Associate Professor in the Departments of Africana Studies, History, and Gender Studies at the University of Notre Dame. She is an historian of early America with an interdisciplinary focus on cultural encounters between Europeans, Africans and Native Americans, and a commitment to Atlantic and global research perspectives.

This episode is part of a series featuring legal history works from UNC Press. Support for the production of this series was provided by the Versatile Humanists at Duke program.

Siobhan M. M. Barco, J.D. explores U.S. legal history at Duke University.

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Limning – the painting of miniature portraits – was an important art form in 16th-century Europe. Among its greatest practitioners was Nicholas Hilliard, who enjoyed an international reputation for his skill in crafting the finely wrought images. In Nicholas Hilliard: Life of an Artist (Yale University Press, 2019), Elizabeth Goldring explains how a young man from a family of Exeter goldsmiths became one of the premier artists of his age. Timing was a key factor, as the ascent of the Catholic Queen Mary to the throne in 1553 led the Protestant Hilliard family to decamp for the continent. Exposure to the art styles there influenced the young Hilliard, who after returning to England and completing his apprenticeship as a goldsmith quickly established himself as the foremost miniature portraitist in England. Goldring shows how both Hilliard’s technical skills and his court connections played equal roles in his prominence, over a career that led to a period at the court of the French king Henri III and lasted through Elizabeth’s death to his final years working as an artist for King James I.

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Limning – the painting of miniature portraits – was an important art form in 16th-century Europe. Among its greatest practitioners was Nicholas Hilliard, who enjoyed an international reputation for his skill in crafting the finely wrought images. In Nicholas Hilliard: Life of an Artist (Yale University Press, 2019), Elizabeth Goldring explains how a young man from a family of Exeter goldsmiths became one of the premier artists of his age. Timing was a key factor, as the ascent of the Catholic Queen Mary to the throne in 1553 led the Protestant Hilliard family to decamp for the continent. Exposure to the art styles there influenced the young Hilliard, who after returning to England and completing his apprenticeship as a goldsmith quickly established himself as the foremost miniature portraitist in England. Goldring shows how both Hilliard’s technical skills and his court connections played equal roles in his prominence, over a career that led to a period at the court of the French king Henri III and lasted through Elizabeth’s death to his final years working as an artist for King James I.

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In his new book Betrayal in Berlin: The True Story of the Cold War's Most Audacious Espionage Operation (Custom House, 2019), Steve Vogel tells the astonishing true story of the Berlin Tunnel, one of the West’s greatest espionage operations of the Cold War—and the dangerous Soviet mole who betrayed it.

Its code name was “Operation Gold,” a wildly audacious CIA plan to construct a clandestine tunnel into East Berlin to tap into critical KGB and Soviet military telecommunication lines. The tunnel, crossing the border between the American and Soviet sectors, would have to be 1,500 feet (the length of the Empire State Building) with state-of-the-art equipment, built and operated literally under the feet of their Cold War adversaries. Success would provide the CIA and the British Secret Intelligence Service access to a vast treasure of intelligence. Exposure might spark a dangerous confrontation with the Soviets. Yet as the Allies were burrowing into the German soil, a traitor, code-named Agent Diamond by his Soviet handlers, was burrowing into the operation itself. . .

Betrayal in Berlin is a heart pounding account of the operation. He vividly recreates post-war Berlin, a scarred, shadowy snake pit with thousands of spies and innumerable cover stories. It is also the most vivid account of George Blake, perhaps the most damaging mole of the Cold War. Drawing upon years of archival research, secret documents, and rare interviews with Blake himself, Vogel has crafted a true-life spy story as thrilling as the novels of John le Carré and Len Deighton.

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