New Books in History

Between 1901 and World War II, up to half of all U.S.-born Chinese Americans relocated to China in search of better lives due to the discrimination they faced in the United States. Charlotte Brooks tells the story of these emigres in American Exodus: Second-Generation Chinese Americans in China, 1901–1949 (University of California Press, 2019). Initially, Chinese American dual citizens found unprecedented professional opportunities as merchants and government officials in their ancestral homeland. However, shifting political conditions in China and hardening exclusionary policies in the U.S. narrowed their options in a world where they were considered neither Chinese nor American enough to receive the protection or respect of their governments. Faced with these constraints at a time of global depression and war, Chinese Americans made agonizing choices that led them down surprising paths—including, in some cases, as collaborators during the Japanese occupation of China. American Exodus challenges well-worn mythologies in the U.S. of upward mobility for immigrants, as well as celebratory and nationalist narratives in China about the overseas Chinese.

Ian Shin is assistant professor of History and American Culture at the University of Michigan.

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Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019).

In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006).

In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century.

Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies.

Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here.

Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies.

Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected].

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Why do Americans eat so much beef? In Red Meat Republic: A Hoof-to-Table History of How Beef Changed America (Princeton University Press, 2019), the historian Joshua Specht provides a history that shows how our diets and consumer choices remain rooted in nineteenth century enterprises. A century and half ago, he writes, the colonialism and appropriation of indigenous lands enabled the expansion of western ranch outfits. These corporate ranchers controlled loose commodity chains, until powerful corporate meat packers in Chicago seized the economic order through the tools of modern capitalism (scientific management, standardization, labor suppression). These capitalists expanded the supply chains to far-flung consumers in New York and around the globe. But as meat became a staple of the American diet, and measure of progress, consumers cared more about the price and taste than the violence to people, animals, and environment behind the scenes. “America made modern beef” Specht writes, “at the same time that beef made America modern.”

Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He is completing a book on fossil-fuels and energy development in the American West. He teaches courses on modern US history, environmental history, and histories of labor and capitalism. @rydriskelltate

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Between 1901 and World War II, up to half of all U.S.-born Chinese Americans relocated to China in search of better lives due to the discrimination they faced in the United States. Charlotte Brooks tells the story of these emigres in American Exodus: Second-Generation Chinese Americans in China, 1901–1949 (University of California Press, 2019). Initially, Chinese American dual citizens found unprecedented professional opportunities as merchants and government officials in their ancestral homeland. However, shifting political conditions in China and hardening exclusionary policies in the U.S. narrowed their options in a world where they were considered neither Chinese nor American enough to receive the protection or respect of their governments. Faced with these constraints at a time of global depression and war, Chinese Americans made agonizing choices that led them down surprising paths—including, in some cases, as collaborators during the Japanese occupation of China. American Exodus challenges well-worn mythologies in the U.S. of upward mobility for immigrants, as well as celebratory and nationalist narratives in China about the overseas Chinese.

Ian Shin is assistant professor of History and American Culture at the University of Michigan.

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Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019).

In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006).

In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century.

Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies.

Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here.

Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies.

Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected].

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why do Americans eat so much beef? In Red Meat Republic: A Hoof-to-Table History of How Beef Changed America (Princeton University Press, 2019), the historian Joshua Specht provides a history that shows how our diets and consumer choices remain rooted in nineteenth century enterprises. A century and half ago, he writes, the colonialism and appropriation of indigenous lands enabled the expansion of western ranch outfits. These corporate ranchers controlled loose commodity chains, until powerful corporate meat packers in Chicago seized the economic order through the tools of modern capitalism (scientific management, standardization, labor suppression). These capitalists expanded the supply chains to far-flung consumers in New York and around the globe. But as meat became a staple of the American diet, and measure of progress, consumers cared more about the price and taste than the violence to people, animals, and environment behind the scenes. “America made modern beef” Specht writes, “at the same time that beef made America modern.”

Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He is completing a book on fossil-fuels and energy development in the American West. He teaches courses on modern US history, environmental history, and histories of labor and capitalism. @rydriskelltate

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In March 1783, George Washington confronted a meeting of disgruntled Continental Army officers at their encampment at Newburgh, New York. In his book A Crisis of Peace: George Washington, the Newburgh Conspiracy, and the Fate of the American Revolution (Pegasus Books, 2019), David Head explains the background to this meeting and its significance to the larger events of that time. As Head notes, the meeting at Newburgh took place amidst an atmosphere of anticipation of peace with Great Britain. With their service coming to an end, the officers – many of whom were men who anticipated an elevated social status as a result of their service in the Continental Army – feared that the financially strapped Confederation Congress would fail to deliver on their promises of overdue pay and lifetime pensions. With their petitions unheeded, several of them contemplated some sort of action before the army was disbanded. As Head shows, it was Washington’s dramatic appeal to his officers which forestalled such an event, thus ensuring a peaceful resolution to a situation that threatened a very different outcome of the struggle for independence.

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Alex Lichtenstein, Associate Professor of History at Indiana University, discusses his new book with co-author Rick Halpern, Margaret Bourke-White and the Dawn of Apartheid (Indiana University Press, 2016) photojournalism, and writing transnational histories of labor and social justice movements.

As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

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The Versailles Treaty of 1919, celebrates its one-hundred anniversary this year. And, yet unlike the more recent centenaries, such as that of the outbreak of the Great War or the Russian Revolution, the Versailles Treaty, notwithstanding its importance as perhaps the most important of the twentieth-century, has not seen the same level of interest? Is this relatively indifference due to the fact that it is still regarded by some (in the words of John Maynard Keynes) as a 'Carthaginian Peace', which lead inevitably to the rise of Hitler and the outbreak of the Second World War? To discuss this and other aspects of the Treaty, in the podcast channel, 'Arguing History', are Professor of History at the University of Exeter, Jeremy Black and Dr. Charles Coutinho, of the Royal Historical Society.

Professor Jeremy Black MBE, Is Professor of History at the University of Exeter. A graduate of Queens College, Cambridge, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement".

Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century

European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.

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Angelina Callahan talks about the Naval Research Laboratory’s Vanguard Project. While the launch of Vanguard 1 in 1958 was part of the Cold War “Space Race,” it also represented something more: a scientific platform for understanding the space environment as well as a test vehicle that would provide data for satellites of the future. Vanguard 1 is still flying. At 60 years, it is the oldest artificial satellite in space. Callahan is the Naval Research Laboratory Historian. She is also a co-author (with John Krige and Ashok Mahara) of NASA in the World: Fifty Years of International Collaboration in Space (Palgrave Macmillan, 2013). Her work has also been featured in NASA Spaceflight: A History of Innovation, the Navy War College Review, Seapower Magazine, and Federal News Radio.

Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.

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