Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.

Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X. 

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